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Release date 2019. Duration 1 H 21 M. director Luke Lorentzen. 
. 8 / 10. 388 vote. Director: Luke Lorentzen 2019, USA, Mexico, 81 minutes, Digital, NR Language: Spanish Distributor: Greenwich Entertainment Program Notes In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services. Critics' Praise “Both a compassionate portrait of a working-class family and a frightening ride through a broken healthcare system that risks the lives of both patients and providers like the Ochoa family. ” – Monica Castillo, TheWrap “One of the great contemporary films about the look and feel of a big city after dark. ” – Matt Zoller Seitz, “One of the most remarkably filmed documentaries of the decade. ” – Musanna Ahmed, Film Inquiry Watch The Trailer Visit Film Website Directions to the Parkway Theatre The Stavros Niarchos Foundation Parkway is located at 5 W. North Avenue (at the intersection of North Avenue and Charles St. in Baltimore's Station North Arts and Entertainment District.
Family guy midnight shift. Who's Involved: Luke Lorentzen Rating: NR Runtime: 1 hr, 21 m Midnight Family Official stills & photos 5 more Midnight Family Plot: What's the story? In Mexico City's wealthiest neighborhoods, the Ochoa family runs a private ambulance, competing with other for-profit EMTs for patients in need of urgent help. As the Ochoas try to make a living in this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. 1. 00 / 5 stars ( 1 users) Poll: Will you see Midnight Family? — Crew and Production Credits: Who's making Midnight Family? A look at the Midnight Family behind-the-scenes crew and production team. Midnight Family Trailers & Videos Production Timeline: When did the Midnight Family come together? On or about May 28, 2019 • The film was in Completed status. Questions: Frequently Asked About Midnight Family.
November 10, 2019 11:40PM PT A family attempts to make a meager living operating a private ambulance in Mexico City in Luke Lorentzens gripping doc. If you think the health care system is flawed in America, “ Midnight Family ” provides a stark snapshot of how truly broken things are in Mexico City, where fewer than 45 public ambulances serve a population of 9 million. Luke Lorentzen s documentary takes up residence alongside the Ochoa family, who earn a living — just barely — by operating one of the metropolis numerous privately owned ambulances, ferrying the injured to hospitals in hopes of being monetarily rewarded for their efforts. Portraits of institutional dysfunction dont come much more urgent, and quietly bleak, than this, which should help the film attract serious attention following its Sundance Film Festival premiere. Though medically unstable Fer is the nominal head of the Ochoa household, its his mature 17-year-old son Juan who — despite his youthful complexion (replete with braces) and habit of hugging a giant stuffed animal during interviews — whos the clans real father figure. Theirs is a tenuous existence in which each night is spent hanging out in the ambulance waiting for a call. When emergency notifications arrive, they ignite harrowing races through Mexico Citys bustling streets, as the Ochoas try to beat rival EMT outfits to the scene and, then, to quickly strap the wounded into stretchers and load them into the back of their van. Such urgency comes, of course, from their desire to help people survive potentially serious injuries. Yet as Lorentzens film makes clear via the Ochoas day-to-day ordeal, its also driven by a desire to lock citizens into their care — which, ostensibly, will result in payment at the end of the ride. “Midnight Family” illustrates that compensation is rarely in the cards here, as haggling leads to either polite apologies from those unable to pay, or harsher rejections from those simply unwilling to reimburse the paramedics for their trouble. As if that werent problematic enough for Juan and Fern, who can only assume their duties if a public ambulance doesnt show up first, the police are constant impediments, blocking them from accepting patients, citing them for unreasonable (and supposedly made-up) violations, and, at one point, threatening to arrest Juan if they arent paid a bribe. “Midnight Family” conveys all of this by sticking close to the Ochoas as they navigate an untenable state of affairs that links private ambulances, hospitals and police officers in a web of financial self-interest. Serving as his own cinematographer and editor, director Lorentzen generates intense empathy by following Juan and Fern during a breakneck attempt to get a young girl with a traumatic brain injury to a hospital — yelling at passing cars through a loudspeaker, and giving traffic directions to each other — while the girls terrified mother sits beside them in the front seat. At such moments, the film achieves a powerful measure of suspense thats intricately tied up in its despairing sociological depiction of a system thats come apart at the seams. Through it all, Juan counts every penny, spends frugally (on, for example, a dinner of tuna fish and corn) recounts his exploits to his girlfriend on the phone, and cares for his younger brother Josué, who prefers to spend his time ratting around in the back of the ambulance — laughing with friends, eating chips or catching a quick nap — rather than attending school. In his criticisms of his siblings delinquency, which come equipped with explanations about why an education is so important, Juan proves himself an everyday hero, trying at home and in the streets as a paramedic, to keep his — and everyone elses — world together. After three weeks in theaters, Sonys “Bad Boys for Life” is officially the highest-grossing installment in the action-comedy series. The Will Smith and Martin Lawrence-led threequel has made 291 million globally to date, pushing it past previous franchise record holder, 2003s “Bad Boys II” and its 271 million haul. The first entry, 1995s “Bad Boys, ”. The BAFTA film awards have kicked off in London, with Graham Norton hosting this year at the Royal Albert Hall. The awards will be broadcast on the BBC in the United Kingdom and at 5 p. m. PT on BBC America. “Joker” topped the nominations with 11 nods, while “Once Upon a Time in Hollywood, ” and. “1917, ” Sam Mendes World War I survival thriller, has taken an early lead at the 73rd British Academy of Film and Televisions Film Awards with four wins so far. “1917” took the first award of the evening, the Outstanding British Film Award, where it was the clear favourite in the category against fellow nominees “Bait, ”. Every summer, more than 1, 000 teens swarm the Texas capitol building to attend Boys State, the annual American Legion-sponsored leadership conference where these incipient politicians divide into rival parties, the Nationalists and the Federalists, and attempt to build a mock government from the ground up. In 2017, the program attracted attention for all the wrong. Box office newcomers “Rhythm Section” and “Gretel and Hansel” fumbled as “Bad Boys for Life” remained champions during a painfully slow Super Bowl weekend. Studios consider Sundays NFL championship a dead zone at movie theaters since the Super Bowl is the most-watched TV event. This year proved no exception. Overall ticket sales for the weekend. Ahead of tonights BAFTA Awards in London, Amy Gustin and Deena Wallace, co-directors of the British Independent Film Awards (BIFA) discuss how they shook up their awards voting mechanisms to become more inclusive of a wider variety of films and filmmakers. BIFA is different from other awards bodies in its process as well as its. A wide range of Scandinavian films, including the politically-charged Danish drama “Shorta, ” the supernatural Icelandic drama “Lamb” with Noomi Rapace, and the Finnish-Iranian refugee tale “Any Day Now, were some of the highlights at this years Nordic Film Market. They were presented, along with 13 other films in post-production, as part of the Work-in-Progress section.
The thumbnail looks like a damn Ninja Turtle reject. When u think of a funny comment about the mask that havent been taken yet... Midnight family streaming. Family guy midnight train. As a progressive male of 2019, I can use my tampoon to sop up my tears from the scenes where they miss each other. Thought this was going to be an elder alter-ego superhero movie. Then again, a superhero with adult diapers ain't going to cut it, is it. Midnight family rating. MOVIES 11:12 AM PST 2/11/2019 by Courtesy of Sundance Film Festival An intriguing perspective on health care in urban Mexico. A family-run ambulance business in Mexico City struggles to stay afloat in Luke Lorentzen's doc. A glimpse into the dysfunction of Mexico's patchwork of public and private health care, Luke Lorentzen's Midnight Family follows a family of EMTs through Mexico City as they struggle to make a living keeping other citizens alive. Though its micro view limits its usefulness in big discussions of public policy — it's easy to imagine American partisans using it as evidence both for and against government-run health care — it is a vivid reminder that all such policies are lived out by millions of individuals, who die every day when things aren't well run. Opening titles explain that in Mexico City, the government runs 45 public ambulances to serve a sprawled-out population of 9 million. That's nearly the entirety of what Lorentzen tells us directly in the film. Everything else we observe or infer during ride-alongs with the Ochoa family, who drive one of an unstated number of private ambulances that fill gaping holes in the city's delivery of health care. This observational approach gives the film its flavor, especially when it comes to family dynamics, but it makes things frustrating for viewers hoping to actually learn something. Lacking outside comment, we can guess but never be sure when the Ochoas are doing the right thing and when they're pushing an ethical line, maybe fatally. (Press notes make some things more explicit, but moviegoers don't get press notes. Whenever they pick up a patient who needs care they can't provide, for instance, they have choices to make: Go to a government-run hospital or a private one? Go to the closest facility or a further one that might be more affordable or better equipped? Leave the crowded-looking free hospital in favor of another down the road? At many junctures, the EMTs inform patients and/or their loved ones of the choices, speaking gently but usually presenting one option as smarter than others. They clearly have more experience than their customers with how the system works. But is their advice sometimes clouded by self-interest? After they've brought patients to a private facility in one scene, we see a staffer there hand over cash to the driver. Is this a shady kickback or part of a somehow legitimate transaction? The former seems likely, but we have no way of knowing for sure. We do, however, get a good sense that the role of police in this ecosystem is morally tainted. Ambulance drivers pay cops bribes in return for tips about accidents; cops hassle drivers, enforcing rules that seem to change arbitrarily. Questions of law and ethics aside, viewers get a visceral understanding here of the cutthroat nature of this private-ambulance business. Though they suffer through long bouts of boredom, the Ochoas leap into action when they hear reports of an accident: We race through the streets with them, often neck-and-neck with other vans trying to make it to the scene first. Whoever's riding shotgun mans the PA, shouting at drivers of other cars to heed the sirens and get out of the way. Juan Ochoa quickly becomes the film's star. Barely 17, he's far more professional than the older man we assume is his father. While slow-moving Dad tries to bum cash off his employee-children — he appears to have emptied his pockets for cops — perfectly groomed Juan hustles. He drives the ambulance, helps patients and reports on the night's frustrations in phone calls to his unseen girlfriend. He also does much of the undesirable job of asking for payment. Though Lorentzen mostly averts his camera's gaze when patients are around, he does listen in on some of the conversations about cost. A high-school girl who's been head-butted by her boyfriend weeps while she bleeds in the back of the van, meekly asking, Is this expensive. And shortly after, Can you please give me a hug to calm me down. Later on, another woman balks at the 3, 800 pesos the Ochoas charge for emergency transport (one of many items on their price list, that's roughly 200 U. S. When patients refuse to pay, that's that; as far as we can see, the EMTs have no recourse. What they do have is a matter-of-fact justification: When no government-provided ambulance arrived at the scene, what was your alternative? Production company: Hedgehog Director-director of photography-editor: Luke Lorentzen Producers: Kellen Quinn, Luke Lorentzen, Daniela Alatorre, Elena Fortes Composer: Los Shajatos Venue: Sundance Film Festival (U. Documentary Competition) Sales: Josh Braun, Submarine In Spanish 80 minutes.
No? This is not up for best foreign film ? Make it be! Or hell even best picture! I loved Parasite but I welcome a challenge and as an artist I am intrigued... Great vid love u all❤️❤️. Portland, OR Living Room Theatres Opens Jan 17 Camas, WA Liberty Theatre 24 Dallas, TX Angelika Film Center Ft. Worth, TX CineAmerica Gran Plaza Las Vegas, NV Galaxy Boulevard Mall Minneapolis, MN Landmark Uptown Theatre San Diego, CA Digital Gym Cinema Sparks, NV Galaxy Victorian 13 Brooklyn, NY Film Noir Cinema 26 Tacoma, WA Grand Cinema 28 Denver, CO SIE FilmCenter 31 Porterville, CA Galaxy Porterville 9 Winston-Salem, NC Aperture Cinema Grand Rapids, MI Knickerbocker Theater Feb 3 Bend, OR Tin Pan Theater 7 Tucson, AZ Loft Cinema Cleveland, OH Cleveland Cinematheque 13 Birmingham, AL Sidewalk Film Center and Cinema 18 Tunkahonnock, PA The Dietrich Louisville, KY Speed Art Museum Ithica, NY Cornell Cinema Mar 19.
Me: loving the comment section 😂. Old People: Dont Stare! Its rude! Also Old people when they see somebody with blue hair: insert thumbnail. Midnight family wiki. Normally I'm not into romcoms but John Lithgow and Blythe Danner are two of my favorite actors. That alone gives me the motivation to want to see this. And add to that, it's a Sundance selection. Color me intriegued.
Skip to get tickets Midnight Family Fri, Jan 3 - Thu, Jan 9, 2020 Pittsburgh Cultural Trust Harris Theater Ticket Prices 8 general admission, 7 students and seniors all at the door only Drama Film An intense ride in a Mexican ambulance with a family struggling to stay afloat. Spanish with English subtitles In Mexico City, where the healthcare system cannot even begin to address the needs of nine million residents, the Ochoa family runs one of the citys privately owned ambulance services, scraping out a living by tending to the injured and desperately unwell, waiting on calls night after night, only to speed through the citys streets hoping to beat rival EMT crews to the scene. These visceral race-against-the-clock runs give Midnight Family the vibe of a suspense film, while 17-year-old son Juan emerges as the films everyday hero, a hard-hustling young man who acts as the sturdy backbone to his at-risk family. Director Luke Lorentzen takes care to place the Ochoas struggle within a larger ecosystem of civil failure, subsistence-level scavenging, and endemic corruption. "Outstanding. Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, Midnight Family unfolds with such velocity that it may take a while for your ethical doubts to catch up to whats happening. When they do, they leave you gasping. " – Manohla Dargis, New York Times Critics Pick Event Date Fri, Jan 3, 2020, 7:30 PM Sat, Jan 4, 2020, 4:30 PM Sat, Jan 4, 2020, 7:30 PM Sun, Jan 5, 2020, 4:30 PM Sun, Jan 5, 2020, 7:30 PM Mon, Jan 6, 2020, 7:30 PM Tue, Jan 7, 2020, 7:30 PM Wed, Jan 8, 2020, 7:30 PM Thu, Jan 9, 2020, 7:30 PM Accessibility: Wheelchair Seating Note: All services may not be available at all performances. Click the link above for accessible performance schedule or contact customer service for further assistance. 809 Liberty Ave Pittsburgh PA 15222 Box office phone: 412-471-9700.
Midnight family lol dolls. Love you so much 💛. In the Saw movies, what does Jigsaw say?do you want to play a game would you like to play a game i want to play a game the correct answer is i want to play a game. Midnight family showtimes. Wheres scarlo. Wait, did he say “thats dad” ? Im tryna see her new man lol. Family guy midnight dumpster baby. A chance encounter on a Mexico City street took a young filmmaker on a wild detour to making one of 2019s most thrilling documentaries, which gives the notion of “ambulance chasing” a whole new meaning. In “Midnight Family, ” which made the Academy Award shortlist for documentary feature, audiences meet the Ochoas — primarily father Fer, his teenage son and driver Juan, and younger son Josué, not yet an adolescent — who run one of the citys fiercely competitive ambulance-for-hire services. These private operations fulfill an urgent need: The citys 9 million residents are served only by some 45 state-owned ambulances. Each night, the Ochoas race through the neon-drenched streets of one of the worlds most densely populated cities, using a scanner to monitor police reports as they gun hard to reach accident victims — and other prospective clients — before another service gets there. Luke Lorentzen was 23 and new to Mexico City, where he was frustrated trying to assemble a different project. One day in December 2015 he came upon the Ochoas ambulance, parked in front of his apartment. They invited him to ride along. “That first evening I just saw this whole underworld of for-profit health care that really shocked me, ” Lorentzen said, “and made me feel a lot of different things, all while enjoying the experience of being with this family. ” The film, which won a special jury award for cinematography at the Sundance Film Festival and the grand jury award at Englands Sheffield Doc/Fest, immerses audiences in that experience, putting them behind the wheel of the Ochoas cramped emergency vehicle. The compact space heightens the visceral situations the family encounters — as they collect bloodied and emotionally distraught patients — and the sometimes eccentric dynamics among its members. Lorentzen, who rode with and filmed the Ochoas until early 2018, found the excitement (and existential moodiness) of the nightly runs could be captured with minimal tools. He worked as a one-man crew, with one camera strapped to the ambulances hood and another in his hands. The filmmaker built confidence over a long series of rides, working limitations — a single 24mm lens, the tight space inside the vehicle — to his advantage. The nocturnal shoots also provide a glimpse of an urban wonderland most people dont see. “I was so excited about just how beautiful and alluring Mexico City is at night, ” he said. “Theres so many different neon colors. ” Lorentzen said he was as likely to think of the visual compositions of the late Austrian documentarian Michael Glawogger (“Whores Glory, ” “Workingmans Death”) as David Fincher while behind the camera, working almost entirely with available light. He also looked to the obsessive experiential quality of documentaries out of Harvards Sensory Ethnography Lab, with their knack for giving moving images a tactile expressiveness. That approach gives the films craziest sequences a rollercoaster immediacy. One high-speed run, in which Juan hit the pedal to brake ahead of a rival ambulance, bristles like an excerpt from “The Fast and the Furious. ” Lorentzen was too wrapped up in such moments to worry much about the risks. “I was so motivated to capture all this energy, ” he said. “There were very few moments where I felt really out of control. Speeding at 80 mph through Mexico City is pretty hair-raising, but I knew those would be some of the most amazing scenes in the film. ” Such elements were much easier to convey than the often disturbing ethical questions that came into play. “The deeper I got into it, the more I realized there were these really big socio-political questions at the center of it, ” said Lorentzen, whose Mexican residencies were juggled with four seasons working on Netflixs “Last Chance U. ” “Some nights, they save somebodys life and other nights they put people in really questionable situations, ” said the filmmaker, who shows how the family must hustle the suffering, or sometimes prioritize money over mercy, to generate the income that keeps their cash-strapped enterprise in business. Everyone is trying to survive. “That balance between good and bad was a really subtle palette of emotions, and I didnt have the material to get that across until really late. ” Indeed, about three-quarters of the film comes from a final shooting phase with the Ochoas, right after an earlier cut of “Midnight Family” was turned down by Sundance. But when Lorentzen went back, the family trusted him enough to really make themselves vulnerable for the camera, he said. “When you think of the craft of filmmaking, the first thing everybody talks about is cinematography, editing, sound, the music. “On this film, I spent most of my time just building this relationship. Not every documentary depends on it as much as ‘Midnight Family does but with this film, its the only piece holding everything together. ”.
I love this man with all my heart. he does such a good job on every role he plays and is honestly one of the best actors of this century 🥺. Matt Zoller Seitz December 6, 2019 The night comes alive in "Midnight Family, Luke Lorentzen's film about a private ambulance service in Mexico City. This is one of the great contemporary films about the look and feel of a big city after dark, luxuriating in the vastness of almost-empty avenues lit by buzzing streetlamps. It's a real-life answer to fiction movies like " Taxi Driver. Bringing Out the Dead, " Collateral. Nightcrawler " and " The Sweet Smell of Success. " And yet, despite the film's careful attention to images and sounds—which is somewhat unusual in nonfiction, a mode that too often relies on verbal summaries, infographics, and talking heads—Lorentzen never allows "Midnight Family" to become an empty stylistic exercise. He stays tightly focused on his main characters, the Ochoa family, as they scramble to survive in a brutal, unregulated economy. Advertisement The Ochoas live and work in a city with nine million people but only 45 government-operated ambulances. Their ambulance is nominally run by a father, Fer, who has health problems and seems profoundly depressed (some of the film's most haunting images are silent closeups of his face lost in thought. But the real boss is Fer's 17-year old son Juan, who usually takes the lead in treating patients, dealing with finances and official regulations, and arguing with cops who hassle them in hopes of shaking loose a bribe. Juan also acts as an adjunct father to his little brother Josué, who gets frustrated at their hard existence (there's an argument over how many cans of tuna they can afford to buy) but would rather be on the job with his family than attend school. It's a rough life. The Ochoas seem to live in the ambulance more so than in their small, cluttered apartment. A lot of the Ochoas' patients can't or won't pay them for their labor. They must compete with other ambulance services to get to a scene first, even street-racing a rival in a sequence that's reminiscent of the moment in " Gangs of New York " where the crews of two private fire trucks brawl in front of a burning house. Every month is a financial crap shoot. The filmmaker, who shot and edited the movie in addition to directing and producing it, seems to have taken his cues from an earlier era of documentary cinema, represented by directors like the Maysles Brothers ( Salesman, " Gimme Shelter. and D. A. Pennebaker. Don't Look Back. The movie captures moments of astonishing intimacy, not just with the Ochoas but with their patients, the police, and the citizens they interact with from moment to moment. The camera looks at people and places and lets us think and feel things, rather than constantly and clumsily trying to manage our reactions. There's implicit criticism of government ineptitude and corruption and the viciousness of profit-driven life, particularly when it comes to healthcare, but these concerns emerge organically from the situations the director shows us. The tone is empathetic but clear-eyed, presenting the world's indifference to struggle and suffering as a hard fact, as immutable as the winter draft that chills the interior of the ambulance until Juan asks his dad to shut the doors. There's no music. The movie doesn't need it. It has traffic sounds, barking dogs, roaring auto engines and squealing tires, and the screams of injured people nearly drowning out the reassurances of paramedics trying to stop the bleeding. The sense of place is nearly overwhelming, and the editing finds little ways to re-emphasize it, such as holding on an empty room or ambulance interior for a beat or two after people have exited the frame. All the world's a stage, we're mere extras upon it, and there's no way to know if anyone's watching the play. Reveal Comments comments powered by.
Love yall. Plot twist: He's the creator of Jumanji - PC edition. This was filmed in my town. No upcoming screenings. Available No Tickets Available [ artDate, amDateFormat: dddd, MMMM Do" artDate, amDateFormat: h:mm A. You may not purchase more tickets at this time. About With striking vérité camerawork, Midnight Family drops us directly into the frenetic nighttime emergency ecosystem of Mexico City. In the midst of high-speed ambulance rides, we meet the Ochoas, a ragtag family of private paramedics, who try desperately every day to be the first responders to critically injured patients. In a city where the government operates only 45 emergency ambulances for a population of over nine million, the family acts as a crucial—but unregistered—underground lifeline. But the job is riddled with police bribes and cutthroat competition. And even though the Ochoa family has a reputation for being trustworthy, they must reckon with the sudden escalation in bribes that could force them to wade into the ethically questionable practice of making money off of patients in dire straits. Midnight Family maintains a breathless speed and urgency throughout. The camera is always exactly where it needs to be, capturing the intense textures and thrills of rides and rescues until, with each repetition, a subtextual story emerges—of a family and a society under profound financial and moral duress. Screens with The Dispossessed Hazari is a traditional faith healer, exorcising patients who've been possessed by jinn. But in Kashmir amidst the worlds longest-running conflict, nothing is as it seems. YEAR 2018 CATEGORY U. S. Documentary Competition COUNTRY Mexico/U. A. RUN TIME 81 min LANGUAGE Spanish SUBTITLES Yes with English subtitles EMAIL PHONE (914) 584-0275 Credits Director Luke Lorentzen Producers Kellen Quinn Daniela Alatorre Elena Fortes Subjects Juan Ochoa Fer Ochoa Josué Ochoa Manuel Hernández Cinematography Edited By Co Editor Paloma López Carrillo Consulting Editor Mary Lampson Sound Design Matías Barberis Music By Los Shajatos Music Performed By Leonardo Heiblum Jacobo Lieberman Alexis Ruiz Andrés Sánchez Consulting Producers Jamie Meltzer Christian Jensen Artist Bio Luke Lorentzen graduated from Stanford University in art history and film studies. His short film Santa Cruz del Islote (2014) won awards at over 10 international film festivals. His first feature documentary New York Cuts (2015) had its world premiere at the International Documentary Film Festival Amsterdam and its U. premiere at the Camden International Film Festival. Luke is also part of the team behind Netflix's documentary series Last Chance U.
One of my friends, his name is John- HICKEY. Midnight family documentary. Adam Sandlers first movie not wearing a t shirt and shorts 🩳 in it. Midnight family reviews. Disney: no singing. No Mushu. No Shan Li. No “my name is ping”. No “lets get down to business” Everyone: is it even really Mulan anymore. Midnight family 2019 sundance. Photo: 1091 Media Mexico Citys health care crisis, much like Americas, primarily revolves around prohibitive costs and limited access. The issues myriad complexities are neatly embodied by a single problem plaguing the city: an ambulance shortage. The Mexico City government only operates 45 emergency ambulances to accomplish the impossible task of serving nine million people. Private ambulance companies, such as the one run by the father-and-sons team at the center of Luke Lorentzens vérité documentary Midnight Family, have sprung up in the city to fill the void. As members of a for-profit underground network, the Ochoa family frequently cuts ethical and medical corners in order to help an underserved population. When theres profit to be made, capitalism finds a way. Like any small business, the Ochoa family comes up against many daily obstacles that hinder their success. They face fierce competition from other private and public EMTs, often dangerously racing them in the streets to accident scenes. Corrupt cops constantly impede their progress by demanding bribes or halting their assistance. Since the Ochoas work in a liminal legal space, they dont necessarily have access to the proper equipment, let alone paperwork or an up-to-date vehicle. Most frustrating of all, theyre forced to shake down the victims they transport when they cant or wont pay. The Ochoa family may charge high prices for their emergency services, but the money they reap mostly goes toward upkeep and expenses. By night, they save lives. By day, theyre just another low-income Mexico City family struggling to put food on the table and pay their electric bills. Lorentzen documents the nightly excursions in stunning widescreen compositions, carefully orchestrated and featuring an urban-noir color palette dominated by the ambulances spinning blue warning light. (At times, the imagery almost recalls the night scenes in Michael Manns Thief. Despite the flattering aesthetic, Lorentzen doesnt present the Ochoa family in an exaggerated heroic light. Instead, he matter-of-factly focuses on the intersection between their mercenary and selfless impulses. Its obvious that Fer and his two sons, Juan (age 17) and Josué (age 10) feel responsible for the people in their charge and take their safety seriously. At the same time, theyre forced to make ethically questionable decisions every time theyre on the road, like pressuring people in critical condition to accept care they cant afford. Lorentzen keeps the action as thrilling as possible in the moment—he films two heavy-duty car chases and a time-sensitive journey to the hospital, both of which are as suspenseful as anything youll find in the multiplex—to replicate the high-pressure context that allows the Ochoas problematic conduct to thrive. Which mother wouldnt instinctually trust the EMTs in charge of saving her daughters life, even if their profit motive inevitably guides, and sometimes clouds, their judgment? To his credit, Lorentzen never guides the audiences moral response, allowing us to make up our minds about the Ochoas on a scene-by-scene basis. He also provides ample rationale for their actions by depicting their hand-to-mouth lifestyle alongside the on-the-job drudgery. Alt hough Midnight Family s diaristic structure contributes to a general shapelessness (the film doesnt end so much as just stop) it allows for plenty of time spent with the Ochoa family, including Juan and Josué, who bicker and joke around with each other as often as they patrol the streets for misfortune. These moments of downtime provide a warm, comic energy to Midnight Family that renders the Ochoas naturally sympathetic subjects and illustrates why Lorentzen decided to film them in the first place. Yet they also throw the scenes where, say, theyre coercing the mother of a domestic abuse victim to pay 3, 800 pesos for a hospital ride in a different light. A health care system that cant effectively cover its population and forces civilians to pick up the slack turns everyone into a victim.
Alguien sabe ¿Dondè puedo verla. I watched this reality last night! It is what is it. Midnight family poster. Midnight Family Reviews Movie Reviews By Reviewer Type All Critics Top Critics All Audience Page 1 of 3 January 30, 2020 [An] 80-minute gut punch. January 29, 2020 At 81 minutes, you won't be bored, but don't be surprised if the car ride home finds you questioning how an audition reel for a reality television program earned a theatrical release. January 19, 2020 The film is loaded with the type of constant tension you might expect from a business that revolves around human suffering. January 17, 2020 Midnight Family is so attuned to its moral ambiguity that it's hard to fault anyone onscreen. They're all just trying their best. January 16, 2020 An urgent portrait of a system in collapse, Midnight Family also uncovers one family's raft of hope amid an ocean of desperation. Midnight Family offers a moving portrait of a complex, unfortunate situation for all concerned. The engrossing 'Midnight Family' is a thrilling portrait of one family trying to make a difference in a city that constantly works against them. A fascinating documentary that captures the every day challenges and problems faced by millions of hard-working people in Mexico. [Full Review in Spanish] January 13, 2020 A rollicking docudrama of a news media rarity, a family making a living saving lives. January 12, 2020 Ambulance crews become ambulance chasers as the documentary begins to resemble Dan Gilroy's Nightcrawler. A fascinating nocturnal thrill ride. January 9, 2020 There's something vaguely outlandish about the way they speed through the streets. Yet there's also a strong moral core, like Juan yelling at a junkie whose glue-sniffing antics leave his kid in a coma. January 4, 2020 Powerful both in message and in content, the documentary warrants more than just a watch. Give it your full attention. December 30, 2019 The film goes on to show how the inadequacy of the city's healthcare is compounded by poverty, overcrowded hospitals, and corrupt police, whom the Ochoas must bribe to receive tipoffs and prevent being shut down... December 18, 2019 "Midnight Family" is both a compassionate portrait of a working-class family and a frightening ride through a broken healthcare system that risks the lives of both patients and providers like the Ochoa family. December 14, 2019. a compelling composite of the fragility and durability of the working wonders that strive to take one step forward in the name of progress only to step three steps backwards as the trying times dictate the rhythm of progression. December 14, 2019 It's a disheartening look at such a backward ambulance system, but it makes for an exciting film. December 13, 2019 Not easily forgotten, this dark trip. December 12, 2019 A thrilling, subjective, portrait of one family's attempts to navigate the corrupt economy of emergency health care while, also, providing much-needed services for a city desperately in need of EMTs. What's indelible in this visceral chronicle is that more than profiting from human suffering, the Ochoas fill the gaps of economic inequality while doing good without reservation. Page 1 of 3.
Midnight family rotten tomatoes. La buscaré urgentemente, espero poder verla en AMBULANTE o en Cine Tonalá. Te menciono que yo tuve una relación de pareja con una persona que trabaja en la Cruz Roja. Tu comentario sobre la persona que de alguna manera sirve como válvula de escape con el protagonista, yo la viví directamente y pude de alguna forma ayudar para aliviar parte de su pesar, impotencia, impresión y desasosiego. Es impresionante saber por lo que pasan estas personas que para mi son héroes anónimos que muy poca gente sabe de ellos. Como dato adicional mencionaré que la serie 'Paramédicos' de Canal Once, es una verdadera joya; es magnífica y trata el tema de las emergencias de la Cruz Roja en la CDMX, desafortunadamente muy pocas personas la conocen o la han visto. Como siempre es un gusto ver tus reseñas. Si vienes a Tijuana en alguna oportunidad, por favor menciónalo si llega a suceder, me encantaría saludarte en persona. Por último Fernanda, ¿usas página de Facebook, Twitter o Instagram.
Why'd you spill your beans, the 2020 version of Rosebud. Im earlyyyyy. I loveee you Audreyyy! ❤️❤️❤️😍😍😍😘😘😘. Midnight cry crabb family. Say what you will about modern horror but there are some innovative films coming out amongst the trash. First a nearly silent film with A Quiet Place and now a modern black and white film. Those are some risky choices to make when you could just turn a profit with some generic crap. Midnight family stream. Midnight family wikipedia. Critics Pick In this outstanding documentary, a family of emergency medical workers struggles both to save lives and to make a living. Credit. 1091 Media Midnight Family NYT Critic's Pick Directed by Luke Lorentzen Documentary, Action, Crime, Drama 1h 21m More Information Periodically while watching “Midnight Family” you feel as if you cant look at the screen for another second. But you cant look away either. That tension encapsulates the push-pull of this documentary, a haunting portrait of a family of emergency medical worker s in Mexico City. Because as you tag along on another wild nighttime ride, and yet one more life-or-death race, the familys careening ambulance seems like an emblem both of their reality and of your own whiplashing position as a viewer. The family at its center, the Ochoas, own and operate one of the many private ambulances that serve Mexico City. The director Luke Lorentzen takes you right inside the ambulance, squeezing you in alongside the Ochoas and several others as they tend to traumatized victims and an occasional member of a patients family. Its no surprise that it can be a deeply distressing fit. Nearly as alarming, though, are those instances when the Ochoas race a rival ambulance to the next accident and the documentary enters that unsettling zone where the pleasures of the chase (and good filmmaking) slam into your ethical sensibility, which is to Lorentzens point. Your stomach may start jumping (your thoughts too) e ven before the movie and ambulance take off. After opening with some sober scene-setting — a man washing blood off a bright yellow stretcher — Lorentzen drops in some of the documentarys few informational details. “In Mexico City, ” reads text on a dark screen, “the government operates fewer than 45 emergency ambulances for a population of nine million. ” Much of the citys emergency health care, the note continues, is handled by “a loose system of private ambulances. ” The Ochoas belong to this informal network, tending to hundreds of patients each year from inside their red-and-white ambulance. Serving as his own cinematographer, Lorentzen spends a lot of time in the back of that van, a space that you settle into as workers and patients enter and exit. He regularly points the camera at the windshield, giving you front-row access to the chaos; every so often, he trains it on the rear-door windows, as if looking for an escape. Another camera, mounted on the top of the dashboard, enables you to see inside the van, where Fer, the Ochoa paterfamilias, is generally found riding shotgun beside one son, Juan, a 17-year-old with a meticulous fade haircut and the wheel skills of a NASCAR racer. When the sirens blare and lights flash, Fer and Juan can make a formidable, at times grimly diverting, tag team. “Get out of my way, bicycle! ” Fer yells over the ambulance loudspeaker in an early scene, as the intensely focused Juan drives and another of Fers sons — the babyish-looking Josué, whos around 10 — tries to steady himself in the rear. As Lorentzen cuts from the vans occupants to the darkly jeweled street and back again, everyone and everything passing by is told where to go. “Keep moving, bus! ” Fer yells, before slipping into street-philosopher mode. “This is why people die! ” he says, over a lingering shot of Josué. “Because people like you dont move! ” The juxtaposition of Josués face and Fers words are representative of Lorentzens method. Embracing a familiar observational approach, he doesnt talk you through “Midnight Family” but instead lets his filmmaking choices convey his thoughts on the Ochoas and the mercenary world they inhabit. (He edited the documentary and is one of its producers. Lorentzen never explains how he found the family, who not only granted him seemingly free access to their ambulance, but also brought him into their home. Hes more expansive in the production notes where he says that he introduced himself after he saw Juan cleaning the van while Josué was playing with a soccer ball. “Midnight Family” can be tough to watch, but it never feels unprincipled or indulgently exploitative. Some of the most traumatic incidents have, of course, occurred before the ambulance roars up, but not all. Even when the worst happens, Lorentzen doesnt turn the gore and tears into a spectacle, and its instructive that some of the most dreadful moments take place off-camera or are conveyed through the triage patter or in later conversations. He also tends to obscure the faces of the wounded and whether legally or ethically motivated, this discretion is a relief. Its humanizing for the victims (be warned that these include children) and for the viewer. One of the enduring hurdles in visual storytelling is how to represent the suffering of others without adding to it, a difficulty that Lorentzen has clearly weighed. Thats evident in his point of view, what he shows you and doesnt, and obvious in his empathetic portrayal of the Ochoas. Theyre an appealing, affecting collection of souls, and you too want the best for them, even when you grasp their role in a system plagued by class inequities and inadequate services, kickbacks and shakedowns. Here, if it bleeds, it leads right into everyones pocket — the police, emergency workers, hospitals — a truism that makes this documentary feel finally, appallingly, universal. Midnight Family Not rated. In Spanish, with subtitles. Running time: 1 hour 21 minutes.
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"Outstanding. Fantastically shot by the director Luke Lorentzen, the documentary develops an urgency that suits the life-or-death stakes onscreen. By turns terrifying and exhilarating, “Midnight Family” unfolds with such velocity that it may take a while for your ethical doubts to catch up to whats happening. When they do, they leave you gasping. " – Manohla Dargis, New York Times Critics Pick “Arguably the most exhilarating documentary to come out of Sundance this year, Midnight Family follows the Ochoa family—the gruff but compassionate Fer and his two underage sons, Juan and Josué—at intensely close range on these Sisyphean missions of mercy. ” – Museum of Modern Art and Film Society of Lincoln Center Included in the “10 Best Movies of Sundance 2019" A deft mix of big-picture doc-making and intimate moments. not to mention a wild—and remarkably eye-opening—ride. ” – David Fear, Rolling Stone “This 81-minute masterpiece will change the way you look at documentaries forever; its style reads like an action movie, its themes like a socio-political drama, and, yet, it still is very much a work of non-fiction, with a camera always exactly positioned to capture a society on the brink of moral collapse. – Jordan Ruimy, The Playlist “Profound and thrilling cinema verite filmmaking. The film is impeccably crafted by Luke Lorentzen… What matters most here is Lorentzens intuition—he knows during many stunning moments just where to put the camera in such close quarters, letting us observe as harrowing drama and cinematic poetry unfolds… 'Midnight Family' is extremely visceral in the best way. ” – Nick Allen, Roger Included in “21 Must-See Movies” at Sundance "An intimate verite documentary. the Ochoas emerge as fascinating embodiments of a country working overtime to correct its shortcomings and keep the lights on. This bracing U. S. competition documentary is poised to provide a personal window into the fast-paced mayhem of Mexico after dark. ” – Eric Kohn, Indiewire.
24 wins & 22 nominations. See more awards » Videos Learn more More Like This Documentary 1 2 3 4 5 6 7 8 9 10 7. 2 / 10 X A look at the life and work of Jewish-Israeli lawyer Lea Tsemel who has represented political prisoners for nearly 50 years. Directors: Philippe Bellaiche, Rachel Leah Jones Stars: Hanan Ashrawi, Tareq Barghout, Avigdor Feldman, War 7. 5 / 10 When the Taliban puts a bounty on Hassan Fazili's head, he is forced to flee with his wife and two daughters. Capturing the journey, Fazili shows the dangers facing refugees seeking asylum and the love shared between a family on the run. Director: Hassan Fazili Hassan Fazili, Nargis Fazili, Zahra Fazili History After becoming a mother, a filmmaker uncovers the untold history of China's one-child policy and the generations of parents and children forever shaped by this social experiment. Nanfu Wang, Jialing Zhang Zaodi Wang, Zhimei Wang 8. 6 / 10 FOR SAMA is both an intimate and epic journey into the female experience of war. Waad Al-Kateab, Edward Watts Hamza Al-Khateab, Sama Al-Khateab 63 Up (TV Movie 2019) 8. 2 / 10 Director Michael Apted revisits the same group of British-born adults after a 7 year wait. The subjects are interviewed as to the changes that have occurred in their lives during the last seven years. Michael Apted Nicholas Hitchon, Lynn Johnson, Tony Walker Drama 8. 1 / 10 The last female bee-hunter in Europe must save the bees and return the natural balance in Honeyland, when a family of nomadic beekeepers invade her land and threaten her livelihood. Tamara Kotevska, Ljubomir Stefanov Hatidze Muratova, Nazife Muratova, Hussein Sam 7. 7 / 10 Amidst air strikes and bombings, a group of female doctors in Ghouta, Syria struggle with systemic sexism while trying to care for the injured using limited resources. Feras Fayyad Amani Ballour, Salim Namour Biography 7. 9 / 10 Agnès Varda, photographer, installation artist and pioneer of the Nouvelle Vague, is an institution of French cinema. Taking a seat on a theatre stage, she uses photos and film excerpts to provide an insight into her unorthodox oeuvre. Agnès Varda, Sandrine Bonnaire, Hervé Chandès Romance On an isolated island in Brittany at the end of the eighteenth century, a female painter is obliged to paint a wedding portrait of a young woman. Céline Sciamma Noémie Merlant, Adèle Haenel, Luàna Bajrami 7. 4 / 10 As her childhood turns into motherhood, teenage troublemaker Gemma comes of age in her fading Scottish steel town. But in a place where "you either get knocked up or locked up. innocent games can easily turn into serious crime. Ellen Fiske, Ellinor Hallin 7. 6 / 10 The Austrian Franz Jägerstätter, a conscientious objector, refuses to fight for the Nazis in World War II. Terrence Malick August Diehl, Valerie Pachner, Maria Simon 6. 6 / 10 As she prepares to execute another inmate, Bernadine must confront the psychological and emotional demons her job creates, ultimately connecting her to the man she is sanctioned to kill. Chinonye Chukwu Alfre Woodard, Aldis Hodge, Richard Schiff Edit Storyline In Mexico City's wealthiest neighborhoods, the Ochoa family runs a for-profit ambulance, competing with other unlicensed EMTs for patients in need of urgent care. In this cutthroat industry, they struggle to keep their financial needs from compromising the people in their care. Plot Summary Add Synopsis Details Release Date: 21 February 2020 (UK) See more » Also Known As: Midnight Family Box Office Opening Weekend USA: 3, 030, 8 December 2019 Cumulative Worldwide Gross: 37, 818 See more on IMDbPro » Company Credits Technical Specs See full technical specs ».
Everyone here who is shocked that Sandler is a good actor clearly haven't seen Punch Drunk Love or Reign Over Me. MIDNIGHT family life. Synopsis In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services. Crew Details Genre Director Producers Writer Editor Cinematography Studio Country Language Alternative Title Popular reviews More Midnight Family has more layers than most documentaries I've seen from 2019. There is no doubt I was rooting for the Ochoa's during my viewing and even now. But I'm also sickened by there choices, elated by a 17 year old speeding through the streets endangering lives to get ahead of another ambulance, and saddened when he is arrested for helping at a crash scene. Undoubtedly one of the most complex docs in the last few years. Luke Lorentzen is a promising and deft new voice, I'm not sure how official a Directorial Debuts this is but it would have been in my top three of 2019 if I'd seen it in time. I highly recommend it. Fuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuuu. A brief elaboration. The health care situation in Mexico City is the reason Malcolm Tucker coined the term "omnishambles. There are 45 public ambulances for 9 million people, and so private ambulances fill the gap, jumping in with limited regulation, unclear training, and uncertain recompense. MIDNIGHT FAMILY stays close and tight with the Ochoa family as they try to work this situation for their survival. I was bemused when an audience member groaned at an early shot of a family member cleaning blood from a stretcher - what did you *expect* from an ambulance documentary. but in general the film actually eschews gore, instead carefully modulating between levels of the aforementioned omnishambles so that you never get fully… DO BUILD STRONGER MEDICAL EMERGENCY CARE AND AMBULANCES FOR MEXICO DON'T BUILD WALLS thank you for coming to my ted-talk The health of the citizens of Mexico City is, increasingly, in the hands of a loose system of private ambulance companies (there are less than 50 government ambulances in the entire metropolis. Director Luke Lorentzen spotlights one of those companies, the family business of the Ochoas, adopting a fly-on-the-wall approach that captures the chaos of their accident scenes and the wait forever/go-go-go nature of their existence. Its a harrowing picture, not just in its fast pace and life-and-death stakes, but for the moral ambiguity of its protagonists, which becomes clearer the longer we ride along. SUNDANCE FILM NO. 1 A portrait of a family framed against the decline of the 15th largest global economy; these good people simply doing good things is made to feel like a radical act. I can't speak highly enough of this doc. It was funded in a similar manner to Sandi Tan's SHIRKERS (my best of the fest from last year) so I really hope this finds an audience! It's a great feeling looking forward to a movie and then it's ~actually~ as good as you were anticipating. Good start to Sundance 2019. Gleams with the flashing red and blue lights of cop cars and ambulances, vividly lensed by director Luke Lorentzen himself, who also tactfully averts his cameras gaze from the bodily carnage that the Ochoas and their competitors rush towards every night in hopes of not just getting to the scene of an accident first, but also actually getting paid for the vital work that they do. If you were to watch only an excerpt or two, youd have a pretty different impression of what the doc is depending on the clip you got. Scenes that are quiet and calm, such as when the Ochoas are carefully assembling their gear in preparation for the night ahead, cast brief spells that were jolted out of when a call comes in and were suddenly racing through the streets of Mexico City. What a ride. Recent reviews Mexico City is home to 9 million souls, but the government operates fewer than 45 ambulances to aid them in times of need. To fill the gap, an entire underground industry of for-profit ambulances has cropped up. None are regulated, most are unlicensed physicians with little to no training, and all of them are in competition with one another. First on the scene gets the injured, which has created an unholy system of police bribes and partnerships with private hospitals. None of which seems to be in the patients best interest. Produced, directed, shot and edited by Luke Lorentzen, Midnight Family follows the Ochoas — an uncle, a father and his two sons — as they stalk the streets of… Me gusta esta mezcla de Bringing out the dead con The Grapes of Wrath y hasta algo de Shoplifters hay por ahí. Y son puros ejemplos de ficción por una razón: Familia de Medianoche opera como una película de ficción y es muy consciente de su aparato cinematográfico. Ya sea el aspect ratio, las persecuciones, la corrección de color, las carreras, los riesgos, todo aquí está codificado para máximo impacto visual, sin dejar a un lado que esta historia es un microcosmos de la fractura social. Insanamente tenso, emocionante y, al menos para mí, algo desesperanzador, Familia de Medianoche es un pequeño compilado de momentos cohesivos, familiares y de unión, enmarcados en el trágico país que vivimos, donde esfuerzos así… A literal family unit. Combating systematic oppression through mechanical survival, the most stripped down satisfactions become the sweetest. This cannot go on. Not enough ambulances are working tonight. They waited 40 minutes for help. Easily one of the most engaging documentaries I've seen so far. While the doc itself is insane (it literally includes footage of ambulances racing each other in busy streets to get to an accident first) I found myself considering how it made me feel. There's an obvious moral dilemma here. Do I cheer on the Ochoa family for doing what they can to survive and help others, or do I condemn them for operating an ambulance and attending to patients without proper training? It's stayed with me, and I'm sure I'll be considering that one for a while. Sometimes I want to take a night off just to show everyone how screwed they'd be without us. Gripping and intriguing documentary which held me throughout. Fascinating to sink into this world. One Ive been unaware of. a good case study for how the world is fucked capitalism is fucked government is fucked everything is fucked You know that scene from GANGS OF NEW YORK where the competing fire companies end up brawling with each other as the buildings burn down around them? Well, that is essence is MIDNIGHT FAMILY. Set in Mexico City, where the chronically under-resourced public ambulance service is bolstered by a odd fleet of competing private ambulances. Following a few nights in the lives of a family-run ambulance company we see them scrimping and saving to keep their ambulance running, eating crappy food, racing other ambulances to be the first on scene, getting harassed by the police, who are enforcing an always changing Kafka-esque list of ambulance regulations, getting stiffed by clients/patients, loosing all of their money by bribing cops, all of… This is a brutally real story about the collision of empathy and commerce. If you're reading this and don't know what the doc is about, it follows a family that makes its bones acting as for-profit ambulance drivers. They do it because this is how they survive, but they're also filling a need in a place woefully unequipped to deal with medical emergencies. While the story is specific to Mexico, its themes are universal. It's staggering how we systemically betray ourselves and leverage tragedy for our own benefit. There's a part where the main drives an injured woman and her in-shock mother to a hospital. The injured woman dies on the drive, but the family badly needs the money, so we have to listen as they hit up the distraught mother for cash. Popular Lists More.
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